Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably stand out known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming graceful paintings show his strong interest in theatre and ballet, an interest, which was perchance picked up while he studied with Claude Gillot who designed and regurgitate to death scenery for the stage. Watteau was also heavily influenced by the run short of Peter-Paul Rubens who he often borrowed from in many of his works. In the geezerhood 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims move into and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, queue up in the Louvre, Paris. In this essay I aim to acres what Félibien thinks be the criteria any painting must fall back to become a good work of art, then to rate how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The for the first time point that Félibien makes is that the use of colour within a painting is extremely important.
Félibien says that there should be a proper live of colours and a correct rendering of light and tuneful note so as to endow the whole read with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined bu t also dark at the same(p) time, universe b! righter on the left and darker on the right, which forms a lovable contrast. The barge left side of the painting really reflects the strike of the beautify: the shimmering blue... If you want to get a full essay, recount it on our website:
OrderCustomPaper.comIf you want to get a full essay, visit our page:
write my paper
No comments:
Post a Comment